Archive for August, 2009

Mighty Mouse

Monday, August 31st, 2009

Been remiss in my blog posts and wondering what to jump back in with. “Delgo” suing “Avatar” over the definition of ugly? Nah. How about Disney buying Marvel! Now THAT’S big. Looks like Steve Jobs didn’t completely clean them out. :-)

From Variety…

DISNEY TO BUY MARVEL FOR $4 BILLION

Deal requires antitrust review

LOS ANGELES — The Walt Disney Co. says it is acquiring Marvel Entertainment Inc. for $4 billion in cash and stock, bringing characters like Iron Man and Spider-Man into the Disney family.

Under the deal, Disney will acquire ownership of 5,000 Marvel characters.

Disney said Monday that Marvel shareholders will receive $30 per share in cash plus 0.745 Disney shares for every Marvel share they own.

It said the boards of Disney and Marvel have both approved the transaction, but it requires an antitrust review and the approval of Marvel shareholders.

“The Incredibles 2″ is going to be AWESOME! ;-)

Blake Snyder, 1957-2009

Thursday, August 6th, 2009

Friend and colleague Blake Snyder passed away suddenly this past Tuesday. Those of us who had the privilege of knowing Blake will miss his good humor, his empathy, and his passionate dedication to his craft.

Blake was a nice guy in a tough business, and our thoughts go out to his family.

Kevin Geiger

SCRIBE BLAKE SNYDER DIES AT 51
Best known for ‘Save the Cat!’ books on screenwriting

By Jay A. Fernandez
The Hollywood Reporter

Aug 6, 2009, 03:21 PM ET
Screenwriter and author Blake Snyder died Tuesday morning from cardiac arrest. He was 51 years old.

Snyder co-wrote the screenplays for the Universal comedy “Stop! Or My Mom Will Shoot” (1992) and the Disney family film “Blank Check” (1994). But he became most well-known as a screenwriting teacher whose bestselling books “Save the Cat! The Last Book on Screenwriting You’ll Ever Need” (2005) and “Save the Cat! Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told” (2007) encouraged a host of aspiring writers, producers and development executives to see the patterns in all successful movies.

“I often recommend Blake’s books to aspiring screenwriters because they are by far the most useful and most readable books on screenwriting I’ve ever come across,” said screenwriter Karen Lutz (”The Ugly Truth”). “He truly loved movies and was able to break down the structure of them in a way I’d never seen done before and in a way that completely made sense to beginner and pro alike.”

Snyder’s screenplay proselytizing led to his hosting seminars and workshops around the world — New York, London, San Francisco, Vancouver, Barcelona, Beijing — that showcased his folksy, enthusiastic boosterism for screenwriting and his love of film in general.

Repped by Andy Cohen of Grade A Entertainment, Snyder continued to write and sell specs throughout his 20-year career.

A third book, “Save the Cat! Strikes Back: More Trouble for Screenwriters to Get Into… And Out of,” is set for publication in October.

“There was no one more gifted in the art of story structure than Blake Snyder,” said longtime friend and screenwriter Tracey Jackson (”Confessions of a Shopaholic”). “He could tell you in two minutes why something didn’t work and in another three how to fix it. And unlike many with a great gift, he was not miserly. He felt it was his calling to help others help themselves and took great pride when those he helped found success. He made all those he met feel special and encouraged them all in their dreams.”

A Beverly Hills resident, Snyder graduated from Georgetown University and went on to teach at Chapman, UCLA, Vanderbilt and the Beijing Film Academy.

He is survived by his mother, Florence Snyder of Santa Barbara; his sister, Sally Maher of Santa Ynez; and a niece and nephew.

A memorial service is being planned.

The Princess And The Poll

Monday, August 3rd, 2009

Disney’s “The Princess And The Frog” opens in limited release in New York and Los Angeles on November 15th, and in theaters everywhere on December 11th (excuse me, I just had a Gary Oldman moment).

How much will TPATF gross domestically in the United States by midnight on Sunday, December 13th?

Take the poll…

Dual Core In Yokohama

Saturday, August 1st, 2009

Animation Options President & CEO Kevin Geiger will conduct “dual core” presentations at SIGGRAPH 2009 in Yokohama, ranging from story development to production efficiencies.

Making its Japanese premiere is “What’s Your Story?”, a condensed version of the popular three-day story development course, Wednesday, December 16th from 8:30am-12:15pm:

What’s your story? Can you explain it in a sentence? If the central idea of your film is not clear to you, how can it be to your audience? Does your story pass the “who cares” test? And do you know that story is NOT king, but character IS?

This course examines the nuts and bolts of feature film storytelling in a straightforward, accessible manner for everyone seeking to improve the resonance of their movies on the international animation market. The way to the audience’s wallet is through the heart. Is your story stuck in the head?

The course explores story loglines, genres, hooks, and twists with an eye towards a compelling stage for an appealing hero. The story-outline section addresses the foundation of a strong and flexible story “spine” and then assembles the full skeleton. In the story-boarding section, the course reviews the process for laying out an entire feature film from beginning to end by applying tried-and-true structural beats. The course concludes with an interactive audience brainstorming session and a pitch of the resulting story by presenter Kevin Geiger.

Returning to SIGGRAPH Asia by special request is “Keeping Your Money On The Screen & Off The Floor”, Saturday, December 19th from 1:45pm-5:30pm:

The global animation industry is as competitive as ever, with merciless markets, unforgiving audiences and miniscule profit margins. Yet independent and major productions alike seem content to burn through money (and people) as though they have resources to spare. Amazingly, this waste is not only pervasive, it is accepted. Not only is this irresponsible, it is unsustainable. It is also easily addressed through clear-minded assessment and informed action.

This course squarely addresses common production motivations and pitfalls. It examines the human factors and organizational considerations that are the foundation of all production (dys)function. It proceeds to cover workflow considerations and strategies, the establishment (and erosion) of balance, common heuristic assumptions and errors, and the importance of clarity and adaptation within the studio environment. A series of “Golden Rules” for production segues into the characteristics of a balanced pipeline and an overview of a flexible and robust nonlinear production pipeline. Finally, asset management is reviewed with an eye towards organization, flexibility, and transparency.

The presentation concludes with a micro/macro view on the production paradigm and synergistic orchestration of these parts into a practical yet transcendent whole.

See you in Japan!